OEDIPUS in Budapest - A Statement by Robert Wilson

“I am very proud to have shown my theater production of OEDIPUS (Pompeii, 2018) in Budapest and shared this experience with the people of this beautiful city. In the spirit of ancient Greek theater, and its early roots in the agora, the center of social, political and also artistic life in the city, I cannot ignore the overall context in which this guest performance has taken place.

It is with much regret and sorrow that I have been watching the freedom of artistic expression and education be restricted by the current national government of Hungary. The so-called ‘model change’ at the SZFE University, which was carried out last year, was an undemocratic attack on the University's autonomy. The new board of trustees that was implemented there by the government was led by Attila Vidnyánszky, who is also the director of the MITEM Festival and many other cultural institutions in the country.

While I am happy that my work could be seen by the people of Budapest, I consider it my civic duty to state that I do not agree to the gutting of educational and artistic independence and freedom, nor to the unhealthy concentration of too much power and influence in the hands of a few. I will therefore donate half of my artist fee, received from the National MITEM Festival to the FreeSZFE initiative, which is continuing their independent educational work without support or even acknowledgment from the current government. Moreover, I will join a conversation with FreeSZFE students in the coming weeks. I sincerely hope that FreeSZFE will keep receiving support from all over the world, and most importantly, soon be reinstated as a public university by the Hungarian government.”

Robert Wilson; Paris, September 17, 2021

Los Angeles Review of Books: Hilton Als on His Playwrighting Debut: Robert Wilson, Race, and the Avant Garde

Critic, photographer and artist, Hilton Als joins Kate and Medaya to discuss his debut play, Lives of the Performers, which tells the story of actress Sheryl Sutton, one of the lead actors in Robert Wilson’s ground-shattering troupe in the 1970s. Als, the former theater critic at the New Yorker, also discusses his fascination with twins, writing a play, and the role race has played in the history of the avant-garde.

The show also includes a spirited debate among the hosts about this year’s soporific Golden Globes: are woke actors enough to keep you awake?

Also, legendary film critic J Hoberman returns to explain why his favorite film of 2019, Mary Harron’s Charlie Says, was a superior take on the Manson Family saga than Quintin Tarantino’s Once Upon a Time in Hollywood.

Listen to the full interview here.

Source: https://lareviewofbooks.org/av/hilton-als-...

Robert Wilson's new Verdi and Puccini operas

Good news to all Friends of Italian Opera: over the next 12 months, you will be able to see three of Verdi's masterpieces and one by Puccini, directed by Robert Wilson, in different European locations. 

The Troubadour will première at the Verdi Festival in Parma on September 29 in the rarely performed French version (Le Trouvère), which the composer adapted in the style of a "Grand Opéra" for Parisian audiences in 1855. The performances will be conducted by Roberto Abbado. Shortly after that, on October 12, 14 and 16, Bob Wilson's beloved production of La Traviata, under the baton of Teodor Currentzis and with the MusicAeterna orchestra from Perm, will perform at the Grand Théâtre de la Ville in Luxembourg. Opening on November 30, and with performances throughout December, will be a new production of Puccini's Turandot at the Teatro Real in Madrid. Finally, Wilson will direct a new Otello for the Baden-Baden Festival next April, in which the Berlin Philharmonic will play under the baton of Daniele Gatti.

EDDA in Oslo: First Production Photographs

The first production photos of Jon Fosse and Robert Wilson's new version of the Icelandic epic Edda are here.  The work will open on March 4, 2017 at Det Norske Teatret in Oslo, Norway, and play throughout the months of March and April there. Visit their web site for more information and tickets.  In October this year, the European Cultural Capital - Aarhus, Denmark - will host six performances of Edda (click here for their web site). 

LETTER TO A MAN is touring. And coming to the US!

Letter to a Man, Robert Wilson's solo for the one and only Mikhail Baryshnikov, which premiered last year at the Spoleto Festival dei due Mondi (Italy), is currently touring Europe. After successful performances at Madrid's Teatros del Canal in May, it can be seen in Lyon and Montecarlo later this month. 

Post-summer the production - Wilson's second stage collaboration with Baryshnikov after The Old Woman - will come stateside, touring both coasts:

Photograph © Lucie Jansch

Photograph © Lucie Jansch

The Tower of Babel

I had a great time in Frankfurt recording The Tower of Babel, a new radio play for the Hessischer Rundfunk and BBC.