“Robert Wilson not only directs and designs, but also performs Samuel Beckett’s one-man play Krapp’s Last Tape, his first appearance as an actor since his HAMLET: A MONOLOGUE, last performed in 2000. The work provides a unique opportunity for his performing talent, being a blend of his signature, highly detailed, and rigorous integration of movement, lighting and sound, and within that framework, a structure that leaves a great deal of freedom for the spontaneity of response that makes his live performance so exciting.

Wilson has often been compared with Beckett, both being masters of the stark simplicity that is one of the most difficult artistic achievements. Nothing is extraneous, not a word, not a movement. In the brief hour of this work, Beckett and Wilson in a few simple strokes paint a vision of the world that is very particular and at the same time, universal.”

“Robert Wilson not only directs and designs, but also performs Samuel Beckett’s one-man play Krapp’s Last Tape, his first appearance as an actor since his HAMLET: A MONOLOGUE, last performed in 2000. The work provides a unique opportunity for his performing talent, being a blend of his signature, highly detailed, and rigorous integration of movement, lighting and sound, and within that framework, a structure that leaves a great deal of freedom for the spontaneity of response that makes his live performance so exciting.

Wilson has often been compared with Beckett, both being masters of the stark simplicity that is one of the most difficult artistic achievements. Nothing is extraneous, not a word, not a movement. In the brief hour of this work, Beckett and Wilson in a few simple strokes paint a vision of the world that is very particular and at the same time, universal.”

“Robert Wilson not only directs and designs, but also performs Samuel Beckett’s one-man play Krapp’s Last Tape, his first appearance as an actor since his HAMLET: A MONOLOGUE, last performed in 2000. The work provides a unique opportunity for his performing talent, being a blend of his signature, highly detailed, and rigorous integration of movement, lighting and sound, and within that framework, a structure that leaves a great deal of freedom for the spontaneity of response that makes his live performance so exciting.

Wilson has often been compared with Beckett, both being masters of the stark simplicity that is one of the most difficult artistic achievements. Nothing is extraneous, not a word, not a movement. In the brief hour of this work, Beckett and Wilson in a few simple strokes paint a vision of the world that is very particular and at the same time, universal.”

“Macbeth is like a prism: it contains many different facets. That’s what makes it interesting. It’s a very dark subject, full of violence. And it’s a tragedy. It’s very complex. Verdi’s opera is very precise. There is not a single superfluous word or note in it. It is highly concentrated. To allow its strength to come forward, you must be very careful not to tell a million things at a time. It has to be simple. You have to focus. Then, the complexity can unfold. It’s not that there is no meaning; it’s all full of meaning. There is a quote from Shakespeare’s play that strikes me; Verdi has incorporated it in his opera. It’s the moment when Macbeth is told that his wife has died. Here is his reaction:
Life’s but a walking shadow, a poor player / That struts and frets his hour upon the stage / And then is heard no more: it is a tale / Told by an idiot, full of sound and fury, / Signifying nothing.”

“Macbeth is like a prism: it contains many different facets. That’s what makes it interesting. It’s a very dark subject, full of violence. And it’s a tragedy. It’s very complex. Verdi’s opera is very precise. There is not a single superfluous word or note in it. It is highly concentrated. To allow its strength to come forward, you must be very careful not to tell a million things at a time. It has to be simple. You have to focus. Then, the complexity can unfold. It’s not that there is no meaning; it’s all full of meaning. There is a quote from Shakespeare’s play that strikes me; Verdi has incorporated it in his opera. It’s the moment when Macbeth is told that his wife has died. Here is his reaction:
Life’s but a walking shadow, a poor player / That struts and frets his hour upon the stage / And then is heard no more: it is a tale / Told by an idiot, full of sound and fury, / Signifying nothing.”

“Robert Wilson not only directs and designs, but also performs Samuel Beckett’s one-man play Krapp’s Last Tape, his first appearance as an actor since his HAMLET: A MONOLOGUE, last performed in 2000. The work provides a unique opportunity for his performing talent, being a blend of his signature, highly detailed, and rigorous integration of movement, lighting and sound, and within that framework, a structure that leaves a great deal of freedom for the spontaneity of response that makes his live performance so exciting.

Wilson has often been compared with Beckett, both being masters of the stark simplicity that is one of the most difficult artistic achievements. Nothing is extraneous, not a word, not a movement. In the brief hour of this work, Beckett and Wilson in a few simple strokes paint a vision of the world that is very particular and at the same time, universal.”

“Robert Wilson not only directs and designs, but also performs Samuel Beckett’s one-man play Krapp’s Last Tape, his first appearance as an actor since his HAMLET: A MONOLOGUE, last performed in 2000. The work provides a unique opportunity for his performing talent, being a blend of his signature, highly detailed, and rigorous integration of movement, lighting and sound, and within that framework, a structure that leaves a great deal of freedom for the spontaneity of response that makes his live performance so exciting.

Wilson has often been compared with Beckett, both being masters of the stark simplicity that is one of the most difficult artistic achievements. Nothing is extraneous, not a word, not a movement. In the brief hour of this work, Beckett and Wilson in a few simple strokes paint a vision of the world that is very particular and at the same time, universal.”

“Robert Wilson not only directs and designs, but also performs Samuel Beckett’s one-man play Krapp’s Last Tape, his first appearance as an actor since his HAMLET: A MONOLOGUE, last performed in 2000. The work provides a unique opportunity for his performing talent, being a blend of his signature, highly detailed, and rigorous integration of movement, lighting and sound, and within that framework, a structure that leaves a great deal of freedom for the spontaneity of response that makes his live performance so exciting.

Wilson has often been compared with Beckett, both being masters of the stark simplicity that is one of the most difficult artistic achievements. Nothing is extraneous, not a word, not a movement. In the brief hour of this work, Beckett and Wilson in a few simple strokes paint a vision of the world that is very particular and at the same time, universal.”

“Robert Wilson not only directs and designs, but also performs Samuel Beckett’s one-man play Krapp’s Last Tape, his first appearance as an actor since his HAMLET: A MONOLOGUE, last performed in 2000. The work provides a unique opportunity for his performing talent, being a blend of his signature, highly detailed, and rigorous integration of movement, lighting and sound, and within that framework, a structure that leaves a great deal of freedom for the spontaneity of response that makes his live performance so exciting.

Wilson has often been compared with Beckett, both being masters of the stark simplicity that is one of the most difficult artistic achievements. Nothing is extraneous, not a word, not a movement. In the brief hour of this work, Beckett and Wilson in a few simple strokes paint a vision of the world that is very particular and at the same time, universal.”

“Macbeth is like a prism: it contains many different facets. That’s what makes it interesting. It’s a very dark subject, full of violence. And it’s a tragedy. It’s very complex. Verdi’s opera is very precise. There is not a single superfluous word or note in it. It is highly concentrated. To allow its strength to come forward, you must be very careful not to tell a million things at a time. It has to be simple. You have to focus. Then, the complexity can unfold. It’s not that there is no meaning; it’s all full of meaning. There is a quote from Shakespeare’s play that strikes me; Verdi has incorporated it in his opera. It’s the moment when Macbeth is told that his wife has died. Here is his reaction:
Life’s but a walking shadow, a poor player / That struts and frets his hour upon the stage / And then is heard no more: it is a tale / Told by an idiot, full of sound and fury, / Signifying nothing.”