After Madama Butterfly (Paris, 1993), Turandot was the second opera by Giacomo Puccini directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot was the second opera by Giacomo Puccini directed by Robert Wilson.
More information and tickets here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
After Madama Butterfly (Paris, 1993), Turandot was the second opera by Giacomo Puccini directed by Robert Wilson.
More information and tickets here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot was the second opera by Giacomo Puccini directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot was the second opera by Giacomo Puccini directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot was the second opera by Giacomo Puccini directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot was the second opera by Giacomo Puccini directed by Robert Wilson.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
The Tempest, Robert Wilson’s fifth Shakespeare production is a commission from the National Theater “Ivan Vazov” of Sofia, Bulgaria. Wilson’s previous works by the Bard included King Lear in Frankfurt (1990), HAMLET: a monologue, performed by Wilson first in Houston (1995), and A Winter’s Tale (2005) and Shakespeare’s Sonnets (2009) at the Berliner Ensemble.
For more information and tickets, please click here.
After its runs in Florence, Paris and Lisbon, PESSOA—Since I’ve Been Me is shown at the co-producing Grand Théâtre de la Ville de Luxembourg.
Performed in Italian, French, Portuguese and English.
For more information and tickets, click here.
After its runs in Florence, Paris and Lisbon, PESSOA—Since I’ve Been Me is shown at the co-producing Grand Théâtre de la Ville de Luxembourg.
Performed in Italian, French, Portuguese and English.
For more information and tickets, click here.
Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).
“The subject is loosely derived from a medieval 13th-century romance, connected to the mythical saga of King Arthur. Wagner was inspired to the work by the experience of a deep mutual understanding and (probably platonic) love affair with Mathilde Wesendonck, the wife of a rich patron in Zurich. The central theme is the contrast of the mundane “day” (ambitions and thriving for honor and glamour) with the “night” (the quest for truly deep emotions in the mystical merging of two persons into one, a sort of afterworld where all human longings finally come to rest). The influence of Wagner’s new approach to treat the orchestra as an autonomous symphonic force rather than accompanying the singers and his pushing the boundaries of harmonic rules to the verge of atonality caused a revolution in the history of music. The famous ‘Tristan Chord’ that opens the prelude and forms one of the central leitmotifs of the opera represents a dissonance that cannot be solved but leads constantly to new dissonances. It is the expression for an impossible love and the yearning for unlimited union with the loved one that seems to be possible only in some other world.”
For tickets and more information, click here.
Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).
“The subject is loosely derived from a medieval 13th-century romance, connected to the mythical saga of King Arthur. Wagner was inspired to the work by the experience of a deep mutual understanding and (probably platonic) love affair with Mathilde Wesendonck, the wife of a rich patron in Zurich. The central theme is the contrast of the mundane “day” (ambitions and thriving for honor and glamour) with the “night” (the quest for truly deep emotions in the mystical merging of two persons into one, a sort of afterworld where all human longings finally come to rest). The influence of Wagner’s new approach to treat the orchestra as an autonomous symphonic force rather than accompanying the singers and his pushing the boundaries of harmonic rules to the verge of atonality caused a revolution in the history of music. The famous ‘Tristan Chord’ that opens the prelude and forms one of the central leitmotifs of the opera represents a dissonance that cannot be solved but leads constantly to new dissonances. It is the expression for an impossible love and the yearning for unlimited union with the loved one that seems to be possible only in some other world.”
For tickets and more information, click here.
Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).
“The subject is loosely derived from a medieval 13th-century romance, connected to the mythical saga of King Arthur. Wagner was inspired to the work by the experience of a deep mutual understanding and (probably platonic) love affair with Mathilde Wesendonck, the wife of a rich patron in Zurich. The central theme is the contrast of the mundane “day” (ambitions and thriving for honor and glamour) with the “night” (the quest for truly deep emotions in the mystical merging of two persons into one, a sort of afterworld where all human longings finally come to rest). The influence of Wagner’s new approach to treat the orchestra as an autonomous symphonic force rather than accompanying the singers and his pushing the boundaries of harmonic rules to the verge of atonality caused a revolution in the history of music. The famous ‘Tristan Chord’ that opens the prelude and forms one of the central leitmotifs of the opera represents a dissonance that cannot be solved but leads constantly to new dissonances. It is the expression for an impossible love and the yearning for unlimited union with the loved one that seems to be possible only in some other world.”
For tickets and more information, click here.
Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).
“The subject is loosely derived from a medieval 13th-century romance, connected to the mythical saga of King Arthur. Wagner was inspired to the work by the experience of a deep mutual understanding and (probably platonic) love affair with Mathilde Wesendonck, the wife of a rich patron in Zurich. The central theme is the contrast of the mundane “day” (ambitions and thriving for honor and glamour) with the “night” (the quest for truly deep emotions in the mystical merging of two persons into one, a sort of afterworld where all human longings finally come to rest). The influence of Wagner’s new approach to treat the orchestra as an autonomous symphonic force rather than accompanying the singers and his pushing the boundaries of harmonic rules to the verge of atonality caused a revolution in the history of music. The famous ‘Tristan Chord’ that opens the prelude and forms one of the central leitmotifs of the opera represents a dissonance that cannot be solved but leads constantly to new dissonances. It is the expression for an impossible love and the yearning for unlimited union with the loved one that seems to be possible only in some other world.”
For tickets and more information, click here.
Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).
“The subject is loosely derived from a medieval 13th-century romance, connected to the mythical saga of King Arthur. Wagner was inspired to the work by the experience of a deep mutual understanding and (probably platonic) love affair with Mathilde Wesendonck, the wife of a rich patron in Zurich. The central theme is the contrast of the mundane “day” (ambitions and thriving for honor and glamour) with the “night” (the quest for truly deep emotions in the mystical merging of two persons into one, a sort of afterworld where all human longings finally come to rest). The influence of Wagner’s new approach to treat the orchestra as an autonomous symphonic force rather than accompanying the singers and his pushing the boundaries of harmonic rules to the verge of atonality caused a revolution in the history of music. The famous ‘Tristan Chord’ that opens the prelude and forms one of the central leitmotifs of the opera represents a dissonance that cannot be solved but leads constantly to new dissonances. It is the expression for an impossible love and the yearning for unlimited union with the loved one that seems to be possible only in some other world.”
For tickets and more information, click here.
Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).
“The subject is loosely derived from a medieval 13th-century romance, connected to the mythical saga of King Arthur. Wagner was inspired to the work by the experience of a deep mutual understanding and (probably platonic) love affair with Mathilde Wesendonck, the wife of a rich patron in Zurich. The central theme is the contrast of the mundane “day” (ambitions and thriving for honor and glamour) with the “night” (the quest for truly deep emotions in the mystical merging of two persons into one, a sort of afterworld where all human longings finally come to rest). The influence of Wagner’s new approach to treat the orchestra as an autonomous symphonic force rather than accompanying the singers and his pushing the boundaries of harmonic rules to the verge of atonality caused a revolution in the history of music. The famous ‘Tristan Chord’ that opens the prelude and forms one of the central leitmotifs of the opera represents a dissonance that cannot be solved but leads constantly to new dissonances. It is the expression for an impossible love and the yearning for unlimited union with the loved one that seems to be possible only in some other world.”
For tickets and more information, click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German with English surtitles (check web site to confirm).
Click here for tickets and more information.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German with English surtitles (check web site to confirm).
Click here for tickets and more information.
Hamletmachine is a text by legendary (East) German playwright Heiner Müller, whose friendship with Robert Wilson lead to several acclaimed productions. Originally produced in 1986 with NYU students in New York, then later that year with local students in Hamburg, Germany, and most recently in 2017 in an Italian version with students of the Arts Academy "Silvio d'Amico" in Rome, the Chinese version is produced in the “Theater Village” of Huichang with a Chinese cast.
For tickets and more information, click here.
Hamletmachine is a text by legendary (East) German playwright Heiner Müller, whose friendship with Robert Wilson lead to several acclaimed productions. Originally produced in 1986 with NYU students in New York, then later that year with local students in Hamburg, Germany, and most recently in 2017 in an Italian version with students of the Arts Academy "Silvio d'Amico" in Rome, the Chinese version is produced in the “Theater Village” of Huichang with a Chinese cast.
For tickets and more information, click here.
Hamletmachine is a text by legendary (East) German playwright Heiner Müller, whose friendship with Robert Wilson lead to several acclaimed productions. Originally produced in 1986 with NYU students in New York, then later that year with local students in Hamburg, Germany, and most recently in 2017 in an Italian version with students of the Arts Academy "Silvio d'Amico" in Rome, the Chinese version is produced in the “Theater Village” of Huichang with a Chinese cast.
For tickets and more information, click here.
Hamletmachine is a text by legendary (East) German playwright Heiner Müller, whose friendship with Robert Wilson lead to several acclaimed productions. Originally produced in 1986 with NYU students in New York, then later that year with local students in Hamburg, Germany, and most recently in 2017 in an Italian version with students of the Arts Academy "Silvio d'Amico" in Rome, the Chinese version is produced in the “Theater Village” of Huichang with a Chinese cast.
For tickets and more information, click here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in Lithuanian with English surtitles.
Click here for tickets and more information.
Hamletmachine is a text by legendary (East) German playwright Heiner Müller, whose friendship with Robert Wilson lead to several acclaimed productions. Originally produced in 1986 with NYU students in New York, then later that year with local students in Hamburg, Germany, and most recently in 2017 in an Italian version with students of the Arts Academy "Silvio d'Amico" in Rome, the Chinese version is produced in the “Theater Village” of Huichang with a Chinese cast.
For tickets and more information, click here.
Hamletmachine is a text by legendary (East) German playwright Heiner Müller, whose friendship with Robert Wilson lead to several acclaimed productions. Originally produced in 1986 with NYU students in New York, then later that year with local students in Hamburg, Germany, and most recently in 2017 in an Italian version with students of the Arts Academy "Silvio d'Amico" in Rome, the Chinese version is produced in the “Theater Village” of Huichang with a Chinese cast.
For tickets and more information, click here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in Lithuanian with English surtitles.
Click here for tickets and more information.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
Robert Wilson curates and designs an evening at the prestigious Scala in Milan, as the opening gala for the 63rd edition of the prestigious furniture and design event, the Salone del Mobile 2025.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in Lithuanian with English surtitles.
Click here for tickets and more information.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in Lithuanian with English surtitles.
Click here for tickets and more information.
After its runs in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro São Luiz in Lisbon / Portugal.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.