“The Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’”
For more information click here
“The Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’”
For more information click here
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
For more information click here.
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
For more information click here.
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
For more information click here.
An artistic destiny fulfilled, visionary director Robert Wilson joins the world-renowned Berliner Ensemble in a bold production of Bertolt Brecht and Kurt Weill's The Threepenny Opera—a seminal work of 20th-century music theater. Wilson's production recasts the story of Peachum, Polly, and Macheath in a bewitching setting informed equally by the striking designs of German Expressionist cinema and the shattering, seductive world of Weimar-era cabaret.
More information and tickets can be found here.
An artistic destiny fulfilled, visionary director Robert Wilson joins the world-renowned Berliner Ensemble in a bold production of Bertolt Brecht and Kurt Weill's The Threepenny Opera—a seminal work of 20th-century music theater. Wilson's production recasts the story of Peachum, Polly, and Macheath in a bewitching setting informed equally by the striking designs of German Expressionist cinema and the shattering, seductive world of Weimar-era cabaret.
More information and tickets can be found here.
An artistic destiny fulfilled, visionary director Robert Wilson joins the world-renowned Berliner Ensemble in a bold production of Bertolt Brecht and Kurt Weill's The Threepenny Opera—a seminal work of 20th-century music theater. Wilson's production recasts the story of Peachum, Polly, and Macheath in a bewitching setting informed equally by the striking designs of German Expressionist cinema and the shattering, seductive world of Weimar-era cabaret.
More information and tickets can be found here.
Cristina Grajales Gallery is honored to exhibit at Design Miami for their 14th year. Running from December 3rd - 8th, in cooperation with Paula Cooper Gallery, they are pleased to present, A Boy From Texas, a solo exhibition of recent sculpture and design by Robert Wilson. With the Corning Museum of Glass, Wilson has developed an installation in blown and cast glass reflecting on nature, fragility, and rebirth, in memory of his childhood in Texas and early theater works and installations developed in rural America.
Opening hours:
December 3: By invitation only
December 4: 1-8pm
December 5: 11am-8pm
December 6: 12-8pm
December 7: 12-8pm
December 8: 12-6pm
More information can be found here.
“The Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’”
For more information click here
“The Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’”
For more information click here
“The Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’”
For more information click here
“The Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’”
For more information click here
While preparing his new production Messiah for the Mozartwoche in Salzburg, Robert Wilson will engage in a public conversation with violinist Jennifer Koh
For more information and tickets please click here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
An artistic destiny fulfilled, visionary director Robert Wilson joins the world-renowned Berliner Ensemble in a bold production of Bertolt Brecht and Kurt Weill's The Threepenny Opera—a seminal work of 20th-century music theater. Wilson's production recasts the story of Peachum, Polly, and Macheath in a bewitching setting informed equally by the striking designs of German Expressionist cinema and the shattering, seductive world of Weimar-era cabaret.
More information and tickets can be found here.
An artistic destiny fulfilled, visionary director Robert Wilson joins the world-renowned Berliner Ensemble in a bold production of Bertolt Brecht and Kurt Weill's The Threepenny Opera—a seminal work of 20th-century music theater. Wilson's production recasts the story of Peachum, Polly, and Macheath in a bewitching setting informed equally by the striking designs of German Expressionist cinema and the shattering, seductive world of Weimar-era cabaret.
More information and tickets can be found here.
An artistic destiny fulfilled, visionary director Robert Wilson joins the world-renowned Berliner Ensemble in a bold production of Bertolt Brecht and Kurt Weill's The Threepenny Opera—a seminal work of 20th-century music theater. Wilson's production recasts the story of Peachum, Polly, and Macheath in a bewitching setting informed equally by the striking designs of German Expressionist cinema and the shattering, seductive world of Weimar-era cabaret.
More information and tickets can be found here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
“The Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’”
For more information and tickets click here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
“The Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’”
For more information and tickets click here.
“The Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’”
For more information and tickets click here.
“The Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’”
For more information and tickets click here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
“The Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’”
For more information and tickets click here.
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
For more information click here.
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
For more information click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directs this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.