MESSIAH Limited Run and Exhibition in Barcelona

Tonight, Robert Wilson’s celebrated production of The Messiah will open for a limited run at the Liceu Opera House in Barcelona. It is the famous oratorio by G.F. Händel, but in the seldom-performed “classical” arrangement by W.A. Mozart. Performances are from March 16 through 26, 2024.

The run will be complemented by an exclusive exhibition of drawings that Robert Wilson made in Salzburg, while working on the original production. Galeria Senda will present these from March 20 through April 20, 2024 at their wonderful space on Trafalgar Street in Barcelona.

Incidentally, the beautiful Gran Teatre del Liceu was the very first opera house that Robert Wilson ever visited. He was hitchhiking through Europe - his first time on the continent - while he was still a student in Texas. Hear him talk about the experience in this interview with Victor García de Gomar:

UBU: A Radio Play Version

Last fall, the Es Baluard Museum in Palma de Mallorca presented Robert Wilson’s work UBU, which was inspired by Alfred Jarry’s drama Ubu Roi, a 1896 grotesque about tyranny, greed and abuse of power. In preparation of the presentation of the work at the co-producing Kunstfest Weimar this coming August, Wilson developed a radio play on UBU for the German radio station Deutschlandfunk Kultur, starring actress and long-time Wilson collaborator Angela Winkler. The first public broadcast will be on May 21, 2023, and the work will also be available online and in Deutschlandfunk’s podcast collection. More information here.

Angela Winkler and Robert Wilson at the Deutschlandfunk’s recording studio.(Photographs © Deutschlandradio / Gerald Michel)

Changed OTELLO dates in Athens

On account of the recent weather disruptions in Athens, the Greek National Opera had to change the rehearsal and performance schedule of Otello at the Stavros Niarchos Hall. The opening has been postponed to February 23 (instead of 20), the performance on March 6 has been replaced by one on March 5, and another show was added on March 8.

Click here for the notice on the Greek National Opera’s web site.

Shakespeare in Sofia: Robert Wilson stages THE TEMPEST

Robert Wilson has started the final rehearsals for his new theater production in Bulgaria’s capital, The Tempest by William Shakespeare. After King Lear, HAMLET: a monologue, A Winter’s Tale and Shakespeare’s Sonnets, this will be his fifth major staged work by The Bard.

The work is commissioned by the National Theater “Ivan Vazov” in Sofia, where Wilson will make his debut with this production. The Tempest will enter the theater’s regular repertory after the opening on November 18. Ticket sales will start in the next few days. Check back regularly, as more repertory performances will be planned and published in the coming weeks and months, both on our production page, and on the theater’s web site.

Stage Set Model from the first concept workshop at The Watermill Center (photographs: Marie de Testa)

"Stages Without Borders" - Venice Announces New Season Including PATIO in November

The Teatro Stabile del Veneto, and its new Artistic Director, Giorgio Ferrara, have announced their upcoming season, themed “Stages Without Borders.” In Ferrara’s programming, Robert Wilson’s Paris revival of I Was Sitting On My Patio… will appear for four performances this November at the 400-year old Teatro Goldoni in Venice.

Stages Without Borders

Read the news article from “La Repubblica” (Sept. 27, 2021) by clicking on the screenshot.

6 hours TOWER OF BABEL online

The German radio “Hessischer Rundfunk” just published Robert Wilson’s radio play “TOWER OF BABEL” in an extended, 6-hour version. Listen to all 12 half-hour episodes online in the HR’s “audiotheque”: https://www.ardaudiothek.de/episode/tower-of-babel-ii-von-robert-wilson/robert-wilson-tower-of-babel-ii-1-12-oder-klangcollage/hr2-kultur/93543818

With the voices and talents of: Fiona Shaw, Inge Keller, Edith Clever, Christopher Knowles, Christopher Nell, Daniel Libeskind, Ilie Gheorghe, Traute Hoess, Daniel Hope (violin), Stefan Kurt, Jürgen Holtz, Robert Wilson, Lisa Genze, Jonathan Meese, Cécile Brune, Sarah Bernhardt, Ursula Ruppel, Lydia Koniordou, Lou Reed, Ishan Othman, Kinan Azmeh (clarinet), Dickie Landry (saxophone), Christina Drechsler, Angela Winkler, Mikhail Baryshnikov, Willem Dafoe, Brigitte Meese, Lady Gaga, Anna Graenzer, Alexander Moissi, Isabelle Huppert, Gertrude Stein, Markus Hilgert, Rosa Enskat, Christian Friedel, Ezra Pound, Robson Catalunha, Tom Waits, Ruth Glöss, Thomas Holtzmann, Alan Cumming, Liesl Karlstadt, Karl Valentin, Nikitas Tsakiroglou, Bernice Johnson Reagon, Harry Nilsson

OEDIPUS in Budapest - A Statement by Robert Wilson

“I am very proud to have shown my theater production of OEDIPUS (Pompeii, 2018) in Budapest and shared this experience with the people of this beautiful city. In the spirit of ancient Greek theater, and its early roots in the agora, the center of social, political and also artistic life in the city, I cannot ignore the overall context in which this guest performance has taken place.

It is with much regret and sorrow that I have been watching the freedom of artistic expression and education be restricted by the current national government of Hungary. The so-called ‘model change’ at the SZFE University, which was carried out last year, was an undemocratic attack on the University's autonomy. The new board of trustees that was implemented there by the government was led by Attila Vidnyánszky, who is also the director of the MITEM Festival and many other cultural institutions in the country.

While I am happy that my work could be seen by the people of Budapest, I consider it my civic duty to state that I do not agree to the gutting of educational and artistic independence and freedom, nor to the unhealthy concentration of too much power and influence in the hands of a few. I will therefore donate half of my artist fee, received from the National MITEM Festival to the FreeSZFE initiative, which is continuing their independent educational work without support or even acknowledgment from the current government. Moreover, I will join a conversation with FreeSZFE students in the coming weeks. I sincerely hope that FreeSZFE will keep receiving support from all over the world, and most importantly, soon be reinstated as a public university by the Hungarian government.”

Robert Wilson; Paris, September 17, 2021