Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'

More information and tickets can be found here.

Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'

More information and tickets can be found here.

Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'

More information and tickets can be found here.

An artistic destiny fulfilled, visionary director Robert Wilson joins the world-renowned Berliner Ensemble in a bold production of Bertolt Brecht and Kurt Weill's The Threepenny Opera—a seminal work of 20th-century music theater.  Wilson's production recasts the story of Peachum, Polly, and Macheath in a bewitching setting informed equally by the striking designs of German Expressionist cinema and the shattering, seductive world of Weimar-era cabaret.

More information and tickets can be found here.

An artistic destiny fulfilled, visionary director Robert Wilson joins the world-renowned Berliner Ensemble in a bold production of Bertolt Brecht and Kurt Weill's The Threepenny Opera—a seminal work of 20th-century music theater.  Wilson's production recasts the story of Peachum, Polly, and Macheath in a bewitching setting informed equally by the striking designs of German Expressionist cinema and the shattering, seductive world of Weimar-era cabaret.

More information and tickets can be found here.

An artistic destiny fulfilled, visionary director Robert Wilson joins the world-renowned Berliner Ensemble in a bold production of Bertolt Brecht and Kurt Weill's The Threepenny Opera—a seminal work of 20th-century music theater.  Wilson's production recasts the story of Peachum, Polly, and Macheath in a bewitching setting informed equally by the striking designs of German Expressionist cinema and the shattering, seductive world of Weimar-era cabaret.

More information and tickets can be found here.

Robert Wilson directs The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi.  Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).

More information and tickets here.

Hamletmachine is a text by legendary (East) German playwright Heiner Müller, whose friendship with Robert Wilson lead to several acclaimed productions. Originally produced in 1986, with NYU students in New York, and later that year with local students in Hamburg, Germany, Robert Wilson has revived Hamletmachine for the first time since the 80s with students of the National Academy of Dramatic Arts "Silvio d'Amico" in Rome.

For tickets and more information, click here.

Hamletmachine is a text by legendary (East) German playwright Heiner Müller, whose friendship with Robert Wilson lead to several acclaimed productions. Originally produced in 1986, with NYU students in New York, and later that year with local students in Hamburg, Germany, Robert Wilson has revived Hamletmachine for the first time since the 80s with students of the National Academy of Dramatic Arts "Silvio d'Amico" in Rome.

For tickets and more information, click here.

Robert Wilson directs The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi.  Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).

More information and tickets here.

Hamletmachine is a text by legendary (East) German playwright Heiner Müller, whose friendship with Robert Wilson lead to several acclaimed productions. Originally produced in 1986, with NYU students in New York, and later that year with local students in Hamburg, Germany, Robert Wilson has revived Hamletmachine for the first time since the 80s with students of the National Academy of Dramatic Arts "Silvio d'Amico" in Rome.

For tickets and more information, click here.

Hamletmachine is a text by legendary (East) German playwright Heiner Müller, whose friendship with Robert Wilson lead to several acclaimed productions. Originally produced in 1986, with NYU students in New York, and later that year with local students in Hamburg, Germany, Robert Wilson has revived Hamletmachine for the first time since the 80s with students of the National Academy of Dramatic Arts "Silvio d'Amico" in Rome.

For tickets and more information, click here.

Hamletmachine is a text by legendary (East) German playwright Heiner Müller, whose friendship with Robert Wilson lead to several acclaimed productions. Originally produced in 1986, with NYU students in New York, and later that year with local students in Hamburg, Germany, Robert Wilson has revived Hamletmachine for the first time since the 80s with students of the National Academy of Dramatic Arts "Silvio d'Amico" in Rome.

For tickets and more information, click here.

Hamletmachine is a text by legendary (East) German playwright Heiner Müller, whose friendship with Robert Wilson lead to several acclaimed productions. Originally produced in 1986, with NYU students in New York, and later that year with local students in Hamburg, Germany, Robert Wilson has revived Hamletmachine for the first time since the 80s with students of the National Academy of Dramatic Arts "Silvio d'Amico" in Rome.

For tickets and more information, click here.

Hamletmachine is a text by legendary (East) German playwright Heiner Müller, whose friendship with Robert Wilson lead to several acclaimed productions. Originally produced in 1986, with NYU students in New York, and later that year with local students in Hamburg, Germany, Robert Wilson has revived Hamletmachine for the first time since the 80s with students of the National Academy of Dramatic Arts "Silvio d'Amico" in Rome.

For tickets and more information, click here.

An artistic destiny fulfilled, visionary director Robert Wilson joins the world-renowned Berliner Ensemble in a bold production of Bertolt Brecht and Kurt Weill's The Threepenny Opera—a seminal work of 20th-century music theater.  Wilson's production recasts the story of Peachum, Polly, and Macheath in a bewitching setting informed equally by the striking designs of German Expressionist cinema and the shattering, seductive world of Weimar-era cabaret.

More information and tickets can be found here.

An artistic destiny fulfilled, visionary director Robert Wilson joins the world-renowned Berliner Ensemble in a bold production of Bertolt Brecht and Kurt Weill's The Threepenny Opera—a seminal work of 20th-century music theater.  Wilson's production recasts the story of Peachum, Polly, and Macheath in a bewitching setting informed equally by the striking designs of German Expressionist cinema and the shattering, seductive world of Weimar-era cabaret.

More information and tickets can be found here.

An artistic destiny fulfilled, visionary director Robert Wilson joins the world-renowned Berliner Ensemble in a bold production of Bertolt Brecht and Kurt Weill's The Threepenny Opera—a seminal work of 20th-century music theater.  Wilson's production recasts the story of Peachum, Polly, and Macheath in a bewitching setting informed equally by the striking designs of German Expressionist cinema and the shattering, seductive world of Weimar-era cabaret.

More information and tickets can be found here.

Robert Wilson directs The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi.  Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).

More information and tickets here.

Robert Wilson directs The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi.  Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).

More information and tickets here.

Robert Wilson directs The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi.  Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).

More information and tickets here.

Robert Wilson directs The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi.  Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).

More information and tickets here.

Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'

More information and tickets can be found here.

Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'

More information and tickets can be found here.

Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'

More information and tickets can be found here.

Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'

More information and tickets can be found here.

Robert Wilson directs The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi.  Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).

More information and tickets here.

In an exceptional performance of two hours, director and artist Robert Wilson invites us into his astonishing aesthetic universe. Combining hundreds of striking images from his prolific career, Wilson provides an intimate self-portrait of his creative process. 

Mr. Wilson references his landmark original works for the stage such as Deafman Glance, A Letter for Queen Victoria, Einstein on the Beach (created with composer Philip Glass), The CIVIL warS, and The Black Rider, as well as his acclaimed work for the operatic and theatrical repertoire, including his luminous stagings of Madama Butterfly, Wagner's Ring Cycle, The Magic Flute, Ibsen's Peer Gynt  and Heiner Mueller's Quartett. At the conclusion of the performance, the audience is invited to explore Mr. Wilson's ideas further during an informal question-and-answer period. 

More information and free reservations here.

Robert Wilson directs The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi.

More information and tickets here.