Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).

Performed in German (on certain dates with English surtitles - check link below).

For more information click here.

Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).

Performed in German (on certain dates with English surtitles - check link below).

For more information click here.

Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.

Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.

Performed in Lithuanian with English surtitles.

Click here for tickets and more information.

Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.

Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.

Performed in Lithuanian with English surtitles.

Click here for tickets and more information.

The Tempest, Robert Wilson’s fifth Shakespeare production is a commission from the National Theater “Ivan Vazov” of Sofia, Bulgaria. Wilson’s previous works by the Bard included King Lear in Frankfurt (1990), HAMLET: a monologue, performed by Wilson first in Houston (1995), and A Winter’s Tale (2005) and Shakespeare’s Sonnets (2009) at the Berliner Ensemble.

For more information and tickets, please click here.

After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Sociale in Trento / Italy.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Sociale in Trento / Italy.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Sociale in Trento / Italy.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Sociale in Trento / Italy.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Stabile del Friuli Venezia Giulia in Trieste / Italy.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Stabile del Friuli Venezia Giulia in Trieste / Italy.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Stabile del Friuli Venezia Giulia in Trieste / Italy.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro Stabile del Friuli Venezia Giulia in Trieste / Italy.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth new production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.

Performed in German; with English surtitles on selected dates (check theater web site for details).

More information and tickets here.

Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.

Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.

Performed in French with English surtitles.

For more information and tickets, please click here.

Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.

Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.

Performed in French with English surtitles.

For more information and tickets, please click here.

Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.

Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.

Performed in French with English surtitles.

For more information and tickets, please click here.

Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.

Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.

Performed in French with English surtitles.

For more information and tickets, please click here.

Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.

Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.

Performed in French with English surtitles.

For more information and tickets, please click here.

After its runs in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro São Luiz in Lisbon / Portugal.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its runs in Florence and Paris in 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Teatro São Luiz in Lisbon / Portugal.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.