At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

After its runs in Florence, Paris and Lisbon, PESSOA—Since I’ve Been Me is shown at the co-producing Grand Théâtre de la Ville de Luxembourg.

Performed in Italian, French, Portuguese and English.

For more information and tickets, click here.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

After its runs in Florence, Paris and Lisbon, PESSOA—Since I’ve Been Me is shown at the co-producing Grand Théâtre de la Ville de Luxembourg.

Performed in Italian, French, Portuguese and English.

For more information and tickets, click here.

After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.

Performed in German; with English surtitles on selected dates (check theater web site for details).

More information and tickets here.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.

Performed in German; with English surtitles on selected dates (check theater web site for details).

More information and tickets here.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).

The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.

Show times today are at:

• 11:30 AM - 12:00 PM

• 12:30 PM - 1:00 PM

• 1:30 PM - 2:00 PM

• 2:30 PM - 3:00 PM

• 3:30 PM - 4:00 PM

• 4:30 PM - 5:00 PM

• 5:30 PM - 6:00 PM

For more information and seat reservations, visit the museum’s web site.

Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).

Performed in German (on certain dates with English surtitles - check link below).

For more information click here.

Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).

Performed in German (on certain dates with English surtitles - check link below).

For more information click here.

Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).

Performed in German (on certain dates with English surtitles - check link below).

For more information click here.

Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).

For tickets and more information, click here.

Ubu is inspired by the text Ubu Roi, written by Alfred Jarry in 1896, a critique of war and totalitarianism with a grotesque, dictatorial main character that is as relevant today as when it was created, and also by Joan Miró’s creations around the universe of that play. Robert Wilson and Imma Prieto created a new work based on Jarry and Miró, with a new interpretation that is nourished by current socio-political conflicts.

For more information and tickets, click here.

Ubu is inspired by the text Ubu Roi, written by Alfred Jarry in 1896, a critique of war and totalitarianism with a grotesque, dictatorial main character that is as relevant today as when it was created, and also by Joan Miró’s creations around the universe of that play. Robert Wilson and Imma Prieto created a new work based on Jarry and Miró, with a new interpretation that is nourished by current socio-political conflicts.

For more information and tickets, click here.

Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).

For tickets and more information, click here.

Ubu is inspired by the text Ubu Roi, written by Alfred Jarry in 1896, a critique of war and totalitarianism with a grotesque, dictatorial main character that is as relevant today as when it was created, and also by Joan Miró’s creations around the universe of that play. Robert Wilson and Imma Prieto created a new work based on Jarry and Miró, with a new interpretation that is nourished by current socio-political conflicts.

For more information and tickets, click here.

Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).

For tickets and more information, click here.

Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).

For tickets and more information, click here.

Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).

For tickets and more information, click here.

Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).

For tickets and more information, click here.

After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.

GUEST PERFORMANCE AT “THEATER IM PFALZBAU” Ludwigshafen

Performed in German.

More information and tickets here.

Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.

Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.

Performed in French with English surtitles.

For more information and tickets, please click here.

Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.

Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.

Performed in French with English surtitles.

For more information and tickets, please click here.

After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.

GUEST PERFORMANCE AT “THEATER IM PFALZBAU” Ludwigshafen

Performed in German.

More information and tickets here.

Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.

Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.

Performed in French with English surtitles.

For more information and tickets, please click here.

Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.

Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.

Performed in French with English surtitles.

For more information and tickets, please click here.

After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.

GUEST PERFORMANCE AT “THEATER IM PFALZBAU” Ludwigshafen

Performed in German.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.

More information and tickets here.

After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.

GUEST PERFORMANCE AT BAM | BROOKLYN ACADEMY OF MUSIC

Performed in German; with English surtitles.

More information and tickets here.

After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.

GUEST PERFORMANCE AT BAM | BROOKLYN ACADEMY OF MUSIC

Performed in German; with English surtitles.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.

More information and tickets here.

After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.

GUEST PERFORMANCE AT BAM | BROOKLYN ACADEMY OF MUSIC

Performed in German; with English surtitles.

More information and tickets here.

After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.

GUEST PERFORMANCE AT BAM | BROOKLYN ACADEMY OF MUSIC

Performed in German; with English surtitles.

More information and tickets here.

Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart

Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.

More information and tickets here.

After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.

GUEST PERFORMANCE AT BAM | BROOKLYN ACADEMY OF MUSIC

Performed in German; with English surtitles.

More information and tickets here.

After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.

After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.

Performed in Italian, French, Portuguese and English, with Italian surtitles.

For more information and tickets, click here.