Robert Wilson’s iconic work PESSOA—Since I’ve Been Me will be presented at the Grand Théâtre de Luxembourg in January.
At this occasion, Luxembourg’s Nosbaum Reding Gallery is exhibiting a rare and exclusive show of PESSOA drawings that Wilson made in 2024.
For more information, visit the gallery’s web site.
The contemporary art gallery MEM (Multiply Encoded Messages), founded by Katsuya Ishida, presents the first public exhibition of eleven drawings created in 1975 for Einstein on the Beach, the seminal opera by Philip Glass and Robert Wilson.
In the fall of 1975, Wilson worked in seclusion at Barcelona Point, the Long Island home of his close collaborator and friend Christophe de Menil. There, he produced a remarkable body of drawings that crystallized the visual and conceptual foundations of Einstein on the Beach. Meditations on rhythm, space, and light, these works reveal the private origins of one of the most influential theatre productions of the 20th century.
Check out the gallery’s web site for more information.
Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).
“The subject is loosely derived from a medieval 13th-century romance, connected to the mythical saga of King Arthur. Wagner was inspired to the work by the experience of a deep mutual understanding and (probably platonic) love affair with Mathilde Wesendonck, the wife of a rich patron in Zurich. The central theme is the contrast of the mundane “day” (ambitions and thriving for honor and glamour) with the “night” (the quest for truly deep emotions in the mystical merging of two persons into one, a sort of afterworld where all human longings finally come to rest). The influence of Wagner’s new approach to treat the orchestra as an autonomous symphonic force rather than accompanying the singers and his pushing the boundaries of harmonic rules to the verge of atonality caused a revolution in the history of music. The famous ‘Tristan Chord’ that opens the prelude and forms one of the central leitmotifs of the opera represents a dissonance that cannot be solved but leads constantly to new dissonances. It is the expression for an impossible love and the yearning for unlimited union with the loved one that seems to be possible only in some other world.”
For tickets and more information, click here.
Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).
“The subject is loosely derived from a medieval 13th-century romance, connected to the mythical saga of King Arthur. Wagner was inspired to the work by the experience of a deep mutual understanding and (probably platonic) love affair with Mathilde Wesendonck, the wife of a rich patron in Zurich. The central theme is the contrast of the mundane “day” (ambitions and thriving for honor and glamour) with the “night” (the quest for truly deep emotions in the mystical merging of two persons into one, a sort of afterworld where all human longings finally come to rest). The influence of Wagner’s new approach to treat the orchestra as an autonomous symphonic force rather than accompanying the singers and his pushing the boundaries of harmonic rules to the verge of atonality caused a revolution in the history of music. The famous ‘Tristan Chord’ that opens the prelude and forms one of the central leitmotifs of the opera represents a dissonance that cannot be solved but leads constantly to new dissonances. It is the expression for an impossible love and the yearning for unlimited union with the loved one that seems to be possible only in some other world.”
For tickets and more information, click here.
Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).
“The subject is loosely derived from a medieval 13th-century romance, connected to the mythical saga of King Arthur. Wagner was inspired to the work by the experience of a deep mutual understanding and (probably platonic) love affair with Mathilde Wesendonck, the wife of a rich patron in Zurich. The central theme is the contrast of the mundane “day” (ambitions and thriving for honor and glamour) with the “night” (the quest for truly deep emotions in the mystical merging of two persons into one, a sort of afterworld where all human longings finally come to rest). The influence of Wagner’s new approach to treat the orchestra as an autonomous symphonic force rather than accompanying the singers and his pushing the boundaries of harmonic rules to the verge of atonality caused a revolution in the history of music. The famous ‘Tristan Chord’ that opens the prelude and forms one of the central leitmotifs of the opera represents a dissonance that cannot be solved but leads constantly to new dissonances. It is the expression for an impossible love and the yearning for unlimited union with the loved one that seems to be possible only in some other world.”
For tickets and more information, click here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).
“The subject is loosely derived from a medieval 13th-century romance, connected to the mythical saga of King Arthur. Wagner was inspired to the work by the experience of a deep mutual understanding and (probably platonic) love affair with Mathilde Wesendonck, the wife of a rich patron in Zurich. The central theme is the contrast of the mundane “day” (ambitions and thriving for honor and glamour) with the “night” (the quest for truly deep emotions in the mystical merging of two persons into one, a sort of afterworld where all human longings finally come to rest). The influence of Wagner’s new approach to treat the orchestra as an autonomous symphonic force rather than accompanying the singers and his pushing the boundaries of harmonic rules to the verge of atonality caused a revolution in the history of music. The famous ‘Tristan Chord’ that opens the prelude and forms one of the central leitmotifs of the opera represents a dissonance that cannot be solved but leads constantly to new dissonances. It is the expression for an impossible love and the yearning for unlimited union with the loved one that seems to be possible only in some other world.”
For tickets and more information, click here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).
“The subject is loosely derived from a medieval 13th-century romance, connected to the mythical saga of King Arthur. Wagner was inspired to the work by the experience of a deep mutual understanding and (probably platonic) love affair with Mathilde Wesendonck, the wife of a rich patron in Zurich. The central theme is the contrast of the mundane “day” (ambitions and thriving for honor and glamour) with the “night” (the quest for truly deep emotions in the mystical merging of two persons into one, a sort of afterworld where all human longings finally come to rest). The influence of Wagner’s new approach to treat the orchestra as an autonomous symphonic force rather than accompanying the singers and his pushing the boundaries of harmonic rules to the verge of atonality caused a revolution in the history of music. The famous ‘Tristan Chord’ that opens the prelude and forms one of the central leitmotifs of the opera represents a dissonance that cannot be solved but leads constantly to new dissonances. It is the expression for an impossible love and the yearning for unlimited union with the loved one that seems to be possible only in some other world.”
For tickets and more information, click here.
The Tempest, Robert Wilson’s fifth Shakespeare production is a commission from the National Theater “Ivan Vazov” of Sofia, Bulgaria. Wilson’s previous works by the Bard included King Lear in Frankfurt (1990), HAMLET: a monologue, performed by Wilson first in Houston (1995), and A Winter’s Tale (2005) and Shakespeare’s Sonnets (2009) at the Berliner Ensemble.
For more information and tickets, please click here.
The Tempest, Robert Wilson’s fifth Shakespeare production is a commission from the National Theater “Ivan Vazov” of Sofia, Bulgaria. Wilson’s previous works by the Bard included King Lear in Frankfurt (1990), HAMLET: a monologue, performed by Wilson first in Houston (1995), and A Winter’s Tale (2005) and Shakespeare’s Sonnets (2009) at the Berliner Ensemble.
For more information and tickets, please click here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
GUEST PERFORMANCE AT “THEATER IM PFALZBAU” Ludwigshafen
Performed in German.
More information and tickets here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
GUEST PERFORMANCE AT “THEATER IM PFALZBAU” Ludwigshafen
Performed in German.
More information and tickets here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
GUEST PERFORMANCE AT “THEATER IM PFALZBAU” Ludwigshafen
Performed in German.
More information and tickets here.
The Tempest, Robert Wilson’s fifth Shakespeare production is a commission from the National Theater “Ivan Vazov” of Sofia, Bulgaria. Wilson’s previous works by the Bard included King Lear in Frankfurt (1990), HAMLET: a monologue, performed by Wilson first in Houston (1995), and A Winter’s Tale (2005) and Shakespeare’s Sonnets (2009) at the Berliner Ensemble.
For more information and tickets, please click here.
Robert Wilson passed away on July 31, 2025. Just one month earlier, he had completed the development of Seven Solitudes, a new work based on the writings of Oskar Miłosz, created with Charles Chemin and the other collaborators. Aware that he would not live to see the production’s opening, Wilson finished directing and designing the piece, and entrusted his collaborators with bringing it to the stage. Seven Solitudes is therefore one of two “legacy productions” that premièred after his passing.
Robert Wilson wished to dedicate this production to Audrey Butvay Gruss, whose passion for the Arts inspires us all.
For more information and tickets, visit the theater’s web site.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
Robert Wilson passed away on July 31, 2025. Just one month earlier, he had completed the development of Seven Solitudes, a new work based on the writings of Oskar Miłosz, created with Charles Chemin and the other collaborators. Aware that he would not live to see the production’s opening, Wilson finished directing and designing the piece, and entrusted his collaborators with bringing it to the stage. Seven Solitudes is therefore one of two “legacy productions” that premièred after his passing.
Robert Wilson wished to dedicate this production to Audrey Butvay Gruss, whose passion for the Arts inspires us all.
For more information and tickets, visit the theater’s web site.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
Robert Wilson passed away on July 31, 2025. Just one month earlier, he had completed the development of Seven Solitudes, a new work based on the writings of Oskar Miłosz, created with Charles Chemin and the other collaborators. Aware that he would not live to see the production’s opening, Wilson finished directing and designing the piece, and entrusted his collaborators with bringing it to the stage. Seven Solitudes is therefore one of two “legacy productions” that premièred after his passing.
Robert Wilson wished to dedicate this production to Audrey Butvay Gruss, whose passion for the Arts inspires us all.
For more information and tickets, visit the theater’s web site.
Robert Wilson passed away on July 31, 2025. Just one month earlier, he had completed the development of Seven Solitudes, a new work based on the writings of Oskar Miłosz, created with Charles Chemin and the other collaborators. Aware that he would not live to see the production’s opening, Wilson finished directing and designing the piece, and entrusted his collaborators with bringing it to the stage. Seven Solitudes is therefore one of two “legacy productions” that premièred after his passing.
Robert Wilson wished to dedicate this production to Audrey Butvay Gruss, whose passion for the Arts inspires us all.
For more information and tickets, visit the theater’s web site.
Robert Wilson passed away on July 31, 2025. Just one month earlier, he had completed the development of Seven Solitudes, a new work based on the writings of Oskar Miłosz, created with Charles Chemin and the other collaborators. Aware that he would not live to see the production’s opening, Wilson finished directing and designing the piece, and entrusted his collaborators with bringing it to the stage. Seven Solitudes is therefore one of two “legacy productions” that premièred after his passing.
Robert Wilson wished to dedicate this production to Audrey Butvay Gruss, whose passion for the Arts inspires us all.
For more information and tickets, visit the theater’s web site.
Robert Wilson passed away on July 31, 2025. Just one month earlier, he had completed the development of Seven Solitudes, a new work based on the writings of Oskar Miłosz, created with Charles Chemin and the other collaborators. Aware that he would not live to see the production’s opening, Wilson finished directing and designing the piece, and entrusted his collaborators with bringing it to the stage. Seven Solitudes is therefore one of two “legacy productions” that premièred after his passing.
Robert Wilson wished to dedicate this production to Audrey Butvay Gruss, whose passion for the Arts inspires us all.
For more information and tickets, visit the theater’s web site.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in Lithuanian with English surtitles.
Click here for tickets and more information.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in Lithuanian with English surtitles.
Click here for tickets and more information.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
GUEST PERFORMANCE AT BAM | BROOKLYN ACADEMY OF MUSIC
Performed in German; with English surtitles.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
GUEST PERFORMANCE AT BAM | BROOKLYN ACADEMY OF MUSIC
Performed in German; with English surtitles.
More information and tickets here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
GUEST PERFORMANCE AT BAM | BROOKLYN ACADEMY OF MUSIC
Performed in German; with English surtitles.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
GUEST PERFORMANCE AT BAM | BROOKLYN ACADEMY OF MUSIC
Performed in German; with English surtitles.
More information and tickets here.
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
GUEST PERFORMANCE AT BAM | BROOKLYN ACADEMY OF MUSIC
Performed in German; with English surtitles.
More information and tickets here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
Ubu is inspired by the text Ubu Roi, written by Alfred Jarry in 1896, a critique of war and totalitarianism with a grotesque, dictatorial main character that is as relevant today as when it was created, and also by Joan Miró’s creations around the universe of that play. Robert Wilson and Imma Prieto created a new work based on Jarry and Miró, with a new interpretation that is nourished by current socio-political conflicts.
For more information and tickets, click here.
Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).
“The subject is loosely derived from a medieval 13th-century romance, connected to the mythical saga of King Arthur. Wagner was inspired to the work by the experience of a deep mutual understanding and (probably platonic) love affair with Mathilde Wesendonck, the wife of a rich patron in Zurich. The central theme is the contrast of the mundane “day” (ambitions and thriving for honor and glamour) with the “night” (the quest for truly deep emotions in the mystical merging of two persons into one, a sort of afterworld where all human longings finally come to rest). The influence of Wagner’s new approach to treat the orchestra as an autonomous symphonic force rather than accompanying the singers and his pushing the boundaries of harmonic rules to the verge of atonality caused a revolution in the history of music. The famous ‘Tristan Chord’ that opens the prelude and forms one of the central leitmotifs of the opera represents a dissonance that cannot be solved but leads constantly to new dissonances. It is the expression for an impossible love and the yearning for unlimited union with the loved one that seems to be possible only in some other world.”
For tickets and more information, click here.
Ubu is inspired by the text Ubu Roi, written by Alfred Jarry in 1896, a critique of war and totalitarianism with a grotesque, dictatorial main character that is as relevant today as when it was created, and also by Joan Miró’s creations around the universe of that play. Robert Wilson and Imma Prieto created a new work based on Jarry and Miró, with a new interpretation that is nourished by current socio-political conflicts.
For more information and tickets, click here.
Ubu is inspired by the text Ubu Roi, written by Alfred Jarry in 1896, a critique of war and totalitarianism with a grotesque, dictatorial main character that is as relevant today as when it was created, and also by Joan Miró’s creations around the universe of that play. Robert Wilson and Imma Prieto created a new work based on Jarry and Miró, with a new interpretation that is nourished by current socio-political conflicts.
For more information and tickets, click here.
Robert Wilson directs and designs Wagner’s Tristan and Isolde in an international co-production in Ljubljana (Slovenia), Wrocław (Poland), Brussels (Belgium) and Madrid (Spain).
“The subject is loosely derived from a medieval 13th-century romance, connected to the mythical saga of King Arthur. Wagner was inspired to the work by the experience of a deep mutual understanding and (probably platonic) love affair with Mathilde Wesendonck, the wife of a rich patron in Zurich. The central theme is the contrast of the mundane “day” (ambitions and thriving for honor and glamour) with the “night” (the quest for truly deep emotions in the mystical merging of two persons into one, a sort of afterworld where all human longings finally come to rest). The influence of Wagner’s new approach to treat the orchestra as an autonomous symphonic force rather than accompanying the singers and his pushing the boundaries of harmonic rules to the verge of atonality caused a revolution in the history of music. The famous ‘Tristan Chord’ that opens the prelude and forms one of the central leitmotifs of the opera represents a dissonance that cannot be solved but leads constantly to new dissonances. It is the expression for an impossible love and the yearning for unlimited union with the loved one that seems to be possible only in some other world.”
For tickets and more information, click here.
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
Performed in German (on certain dates with English surtitles - check link below).
For more information click here.
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
Performed in German (on certain dates with English surtitles - check link below).
For more information click here.
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
Performed in German (on certain dates with English surtitles - check link below).
For more information click here.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After its runs in Florence, Paris and Lisbon, PESSOA—Since I’ve Been Me is shown at the co-producing Grand Théâtre de la Ville de Luxembourg.
Performed in Italian, French, Portuguese and English.
For more information and tickets, click here.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
After its runs in Florence, Paris and Lisbon, PESSOA—Since I’ve Been Me is shown at the co-producing Grand Théâtre de la Ville de Luxembourg.
Performed in Italian, French, Portuguese and English.
For more information and tickets, click here.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
At the occasion of the 63rd of the furniture and design event “Salone del Mobile,” Robert Wilson created a vision of Michelangelo’s sculpture “Pietà Rondanini” in its own dedicated space: the “Spanish Hospital” at Sforzesco Castle. This work, entitled Mother, is accompanied by the sounds of Arvo Pärt’s masterful “Stabat Mater” (played by a live ensemble in some selected presentations).
The approximately 25-minute durational installation is now being presented for a limited run at the MAXXI Museum in Rome. It reconstructs the “Spanish Hospital” space and features the so-called “Gariboldi cast” of the Pietà Rondanini.
Show times today are at:
11:30 AM - 12:00 PM
12:30 PM - 1:00 PM
1:30 PM - 2:00 PM
2:30 PM - 3:00 PM
3:30 PM - 4:00 PM
4:30 PM - 5:00 PM
5:30 PM - 6:00 PM
For more information and seat reservations, visit the museum’s web site.
“Object of Magic,” a group exhibition at the Gallery Josh Pazda Hiram Butler in Houston, features two works by Robert Wilson: his video portrait “LADY GAGA: The Head of Saint John the Baptist / Leo” (2013) and the “Headrest for St. Theresa” (1996), which appeared originally in Wilson’s production of Four Saints in Three Acts by Gertrude Stein and Virgil Thomson (Houston Grand Opera, 1996).