The Tempest / Sofia
The Tempest, Robert Wilson’s fifth Shakespeare production is a commission from the National Theater “Ivan Vazov” of Sofia, Bulgaria. Wilson’s previous works by the Bard included King Lear in Frankfurt (1990), HAMLET: a monologue, performed by Wilson first in Houston (1995), and A Winter’s Tale (2005) and Shakespeare’s Sonnets (2009) at the Berliner Ensemble.
For more information and tickets, please click here.
The Sandman / Düsseldorf
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
Performed in German (on certain dates with English surtitles - check link below).
For more information click here.
The Sandman / Düsseldorf
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
Performed in German (on certain dates with English surtitles - check link below).
For more information click here.
The Sandman / Düsseldorf
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
Performed in German (on certain dates with English surtitles - check link below).
For more information click here.
Dorian / Düsseldorf
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German with English surtitles (check web site to confirm).
Click here for tickets and more information.
The Sandman / Düsseldorf
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
Performed in German (on certain dates with English surtitles - check link below).
For more information click here.
The Sandman / Düsseldorf
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
Performed in German (on certain dates with English surtitles - check link below).
For more information click here.
Madama Butterfly / Paris
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Madama Butterfly / Paris
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Madama Butterfly / Paris
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Madama Butterfly / Paris
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Madama Butterfly / Paris
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Madama Butterfly / Paris
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Madama Butterfly / Paris
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Madama Butterfly / Paris
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Madama Butterfly / Paris
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Madama Butterfly / Paris
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Madama Butterfly / Paris
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Madama Butterfly / Paris
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Turandot / Vilnius
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
Turandot / Vilnius
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
Madama Butterfly / Paris
The revival of Robert Wilson's signature production of Madama Butterfly, which originated at the National Opera Paris in 1993, features exquisite costumes by Frida Parmeggiani and choreography by the late Japanese artist and long-time collaborator of Wilson, Suzushi Hanayagi. Robert Wilson aimed at directing a refined version, outside of the all the "fake Japanese, cherry blossom and all of the traditional clichés on Japanese culture". The aesthetics of this production and the acting are largely inspired by Butoh, a Japanese form of dance characterized by slow motion, poetry and minimalism.
The production has been shown at The Netherlands Opera Amsterdam, The Bolshoi Theater Moscow, Los Angeles Opera and others, and remains in the Paris Opera's repertoire.
More information and tickets here.
Turandot / Vilnius
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
Turandot / Vilnius
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
Turandot / Vilnius
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
Turandot / Vilnius
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
Turandot / Vilnius
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
Dorian / Kaunas
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in Lithuanian with English surtitles.
Click here for tickets and more information.
The Tempest / Craiova
The first tour of Robert Wilson’s production of The Tempest is leading the National Theater “Ivan Vazov” of Sofia, Bulgaria, to the Shakespeare Festival in Craiova. It will be presented at the “Marin Sorescu” Theater, on the same stage which saw Wilson’s original production of Ionesco’s Rhinoceros ten years ago.
For more information and tickets, please click here.
Dorian / Kaunas
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in Lithuanian with English surtitles.
Click here for tickets and more information.
The Tempest / Craiova
The first tour of Robert Wilson’s production of The Tempest is leading the National Theater “Ivan Vazov” of Sofia, Bulgaria, to the Shakespeare Festival in Craiova. It will be presented at the “Marin Sorescu” Theater, on the same stage which saw Wilson’s original production of Ionesco’s Rhinoceros ten years ago.
For more information and tickets, please click here.
PESSOA—Since I’ve Been Me / Florence
Robert Wilson’s creation PESSOA—Since I’ve Been Me receives its first run at the Teatro della Pergola in Florence.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
Mary Said What She Said / London
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
PESSOA—Since I’ve Been Me / Florence
Robert Wilson’s creation PESSOA—Since I’ve Been Me receives its first run at the Teatro della Pergola in Florence.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
Mary Said What She Said / London
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
Mary Said What She Said / London
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
PESSOA—Since I’ve Been Me / Florence
Robert Wilson’s creation PESSOA—Since I’ve Been Me receives its first run at the Teatro della Pergola in Florence.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
Mary Said What She Said / London
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French with English surtitles.
For more information and tickets, please click here.
PESSOA—Since I’ve Been Me / Florence
Robert Wilson’s creation Pessoa: Since I’ve Been Me receives its first run at the Teatro della Pergola in Florence.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
PESSOA—Since I’ve Been Me / Florence
Robert Wilson’s creation PESSOA—Since I’ve Been Me receives its first run at the Teatro della Pergola in Florence.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
PESSOA—Since I’ve Been Me / Florence
Robert Wilson’s creation Pessoa: Since I’ve Been Me receives its first run at the Teatro della Pergola in Florence.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
Dorian / Düsseldorf
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German with English surtitles (check web site to confirm).
Click here for tickets and more information.
PESSOA—Since I’ve Been Me / Florence
Robert Wilson’s creation PESSOA—Since I’ve Been Me receives its first run at the Teatro della Pergola in Florence.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
PESSOA—Since I’ve Been Me / Florence
Robert Wilson’s creation PESSOA—Since I’ve Been Me receives its first run at the Teatro della Pergola in Florence.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
PESSOA—Since I’ve Been Me / Florence
Robert Wilson’s creation PESSOA—Since I’ve Been Me receives its first run at the Teatro della Pergola in Florence.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
PESSOA—Since I’ve Been Me (Opening) / Florence
Robert Wilson’s creation PESSOA—Since I’ve Been Me receives its first run at the Teatro della Pergola in Florence.
Performed in Italian, French, Portuguese and English, with Italian surtitles.
For more information and tickets, click here.
The Tempest / Sofia
The Tempest, Robert Wilson’s fifth Shakespeare production is a commission from the National Theater “Ivan Vazov” of Sofia, Bulgaria. Wilson’s previous works by the Bard included King Lear in Frankfurt (1990), HAMLET: a monologue, performed by Wilson first in Houston (1995), and A Winter’s Tale (2005) and Shakespeare’s Sonnets (2009) at the Berliner Ensemble.
For more information and tickets, please click here.
Jungle Book / Manchester
“Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’” (Robert Wilson)
For more information click here. (Factory International)
Jungle Book / Manchester
“Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’” (Robert Wilson)
For more information click here. (Factory International)
Jungle Book / Manchester
“Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’” (Robert Wilson)
For more information click here. (Factory International)
Jungle Book / Manchester
“Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’” (Robert Wilson)
For more information click here. (Factory International)
Jungle Book / Manchester
“Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’” (Robert Wilson)
For more information click here. (Factory International)
Jungle Book / Manchester (Preview)
“Jungle Book is a work for all ages. I always liked what Baudelaire said: ‘Genius is no more than childhood recaptured at will.’” (Robert Wilson)
For more information click here. (Factory International)
The Messiah / Barcelona
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
The Messiah / Barcelona
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.
Pushkin's Fairy Tales / Moscow
The unjustified war that the Russian government is waging on Ukraine violates international law and goes against everything we and our work stand for. We condemn Russia’s actions and stand in solidarity both with the suffering Ukrainian people as well as the thousands of Russian cultural workers who have denounced this senseless war in a brave open letter: “War destroys everything.”
—Robert Wilson and the team of RW Work
Pushkin wrote the Fairy Tales at his country home Boldino between 1830 and 1834. The tales' sources vary from Russian folklore themes to Western tales. Written in verse, a humourous narrator alternates with dialogue of the characters. Rich symbolism and enigmatic structures ('Tale of the Golden Cockerel,' 'Tale of the Priest and his workman Balda') and powerful imagery ('Tale of the Fisherman,' 'Tale of Tsar Saltan') are central characteristics of these late works by the great Russian poet. Robert Wilson’s production of Pushkin's Fairy Tales unites four of the five tales in addition to the rather unknown fragment of the 'Tale of the She-Bear.'
More information and tickets can be found here.
The Messiah / Barcelona
Oratorio in three parts for soloists, choir and orchestra by Georg Friedrich Händel edited by Mozart
Mozart’s German-language version of Handel’s Messiah is famous, though seldom heard. Written in 1789, at the request of baroque enthusiast Gottfried van Swieten, this profound arrangement of Handel’s best-known oratorio includes copious woodwind parts.
More information and tickets here.