PESSOA—Since I’ve Been Me on tour at the La Batie Festival around Geneva.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
PESSOA—Since I’ve Been Me on tour at the La Batie Festival around Geneva.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German with surtitles. Limited run on tour in Shanghai.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German with surtitles. Limited run on tour in Shanghai.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German with surtitles. Limited run on tour in Shanghai.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
For the first time, Wilson’s Moby Dick is being shown in China.
Performed in German with surtitles.
More information and tickets soon.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
For the first time, Wilson’s Moby Dick is being shown in China.
Performed in German with surtitles.
More information and tickets soon.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
For the first time, Wilson’s Moby Dick is being shown in China.
Performed in German with surtitles.
More information and tickets soon.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French.
For more information and tickets, please click here.
The Tempest, Robert Wilson’s fifth Shakespeare production is a commission from the National Theater “Ivan Vazov” of Sofia, Bulgaria. Wilson’s previous works by the Bard included King Lear in Frankfurt (1990), HAMLET: a monologue, performed by Wilson first in Houston (1995), and A Winter’s Tale (2005) and Shakespeare’s Sonnets (2009) at the Berliner Ensemble.
For more information and tickets, please click here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
Performed in German (on certain dates with English surtitles - check link below).
For more information click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
Performed in German (on certain dates with English surtitles - check link below).
For more information click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
Performed in German (on certain dates with English surtitles - check link below).
For more information click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German with English surtitles (check web site to confirm).
Click here for tickets and more information.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German with English surtitles (check web site to confirm).
Click here for tickets and more information.
Robert Wilson’s Bulgarian production of The Tempest, from the National Theater “Ivan Vazov” of Sofia, is performing at the Burgtheater, one of Europe’s most prestigious stages, during the Wiener Festwochen festival.
For more information and tickets, please click here.
Robert Wilson’s Bulgarian production of The Tempest, from the National Theater “Ivan Vazov” of Sofia, is performing at the Burgtheater, one of Europe’s most prestigious stages, during the Wiener Festwochen festival.
For more information and tickets, please click here.
Robert Wilson’s Bulgarian production of The Tempest, from the National Theater “Ivan Vazov” of Sofia, is performing at the Burgtheater, one of Europe’s most prestigious stages, during the Wiener Festwochen festival.
For more information and tickets, please click here.
Overture for KA MOUNTAIN AND GUARDenia TERRACE was performed live by Robert Wilson and the Byrd Hoffman School of Byrds at 147 Spring Street, NYC, for six hours each day, from 6-9AM and 6-9PM, between April 24-30, 1972. The sizeable cast featured such downtown luminaries as dance critic and poet Edwin Denby, dancer Andy De Groat, theater critic Stefan Brecht, and Wilson’s grandmother, Alma Hamilton. This preservation print was made directly from the 16mm camera original which was discovered in Anthology’s basement along with a group of empty film cans. Archivists at Anthology and the New York Public Library for the Performing Arts (the repository of the Robert Wilson Audio/Visual Collection) were able to salvage the film and identified it as the most extensive extant documentation of OVERTURE. No soundtrack has surfaced for this film, but its majestic images and wild inventiveness are like a music all their own.
Robert Wilson passed away on July 31, 2025. Just one month earlier, he had completed the development of Seven Solitudes, a new work based on the writings of Oskar Miłosz, created with Charles Chemin and the other collaborators. Aware that he would not live to see the production’s opening, Wilson finished directing and designing the piece, and entrusted his collaborators with bringing it to the stage. Seven Solitudes is therefore one of two “legacy productions” that premièred after his passing.
Robert Wilson wished to dedicate this production to Audrey Butvay Gruss, whose passion for the Arts inspires us all.
Performed in Polish (with English surtitles during the Kontakt Festival).
For more information and tickets, visit the theater’s web site.
Robert Wilson passed away on July 31, 2025. Just one month earlier, he had completed the development of Seven Solitudes, a new work based on the writings of Oskar Miłosz, created with Charles Chemin and the other collaborators. Aware that he would not live to see the production’s opening, Wilson finished directing and designing the piece, and entrusted his collaborators with bringing it to the stage. Seven Solitudes is therefore one of two “legacy productions” that premièred after his passing.
Robert Wilson wished to dedicate this production to Audrey Butvay Gruss, whose passion for the Arts inspires us all.
Performed in Polish (with English surtitles during the Kontakt Festival).
For more information and tickets, visit the theater’s web site.
Overture for KA MOUNTAIN AND GUARDenia TERRACE was performed live by Robert Wilson and the Byrd Hoffman School of Byrds at 147 Spring Street, NYC, for six hours each day, from 6-9AM and 6-9PM, between April 24-30, 1972. The sizeable cast featured such downtown luminaries as dance critic and poet Edwin Denby, dancer Andy De Groat, theater critic Stefan Brecht, and Wilson’s grandmother, Alma Hamilton. This preservation print was made directly from the 16mm camera original which was discovered in Anthology’s basement along with a group of empty film cans. Archivists at Anthology and the New York Public Library for the Performing Arts (the repository of the Robert Wilson Audio/Visual Collection) were able to salvage the film and identified it as the most extensive extant documentation of OVERTURE. No soundtrack has surfaced for this film, but its majestic images and wild inventiveness are like a music all their own.
Robert Wilson passed away on July 31, 2025. Just one month earlier, he had completed the development of Seven Solitudes, a new work based on the writings of Oskar Miłosz, created with Charles Chemin and the other collaborators. Aware that he would not live to see the production’s opening, Wilson finished directing and designing the piece, and entrusted his collaborators with bringing it to the stage. Seven Solitudes is therefore one of two “legacy productions” that premièred after his passing.
Robert Wilson wished to dedicate this production to Audrey Butvay Gruss, whose passion for the Arts inspires us all.
Performed in Polish (with English surtitles during the Kontakt Festival).
For more information and tickets, visit the theater’s web site.
Robert Wilson passed away on July 31, 2025. Just one month earlier, he had completed the development of Seven Solitudes, a new work based on the writings of Oskar Miłosz, created with Charles Chemin and the other collaborators. Aware that he would not live to see the production’s opening, Wilson finished directing and designing the piece, and entrusted his collaborators with bringing it to the stage. Seven Solitudes is therefore one of two “legacy productions” that premièred after his passing.
Robert Wilson wished to dedicate this production to Audrey Butvay Gruss, whose passion for the Arts inspires us all.
Performed in Lithuanian with English surtitles.
For more information and tickets, visit the theater’s web site.
Robert Wilson passed away on July 31, 2025. Just one month earlier, he had completed the development of Seven Solitudes, a new work based on the writings of Oskar Miłosz, created with Charles Chemin and the other collaborators. Aware that he would not live to see the production’s opening, Wilson finished directing and designing the piece, and entrusted his collaborators with bringing it to the stage. Seven Solitudes is therefore one of two “legacy productions” that premièred after his passing.
Robert Wilson wished to dedicate this production to Audrey Butvay Gruss, whose passion for the Arts inspires us all.
Performed in Lithuanian with English surtitles.
For more information and tickets, visit the theater’s web site.
Robert Wilson passed away on July 31, 2025. Just one month earlier, he had completed the development of Seven Solitudes, a new work based on the writings of Oskar Miłosz, created with Charles Chemin and the other collaborators. Aware that he would not live to see the production’s opening, Wilson finished directing and designing the piece, and entrusted his collaborators with bringing it to the stage. Seven Solitudes is therefore one of two “legacy productions” that premièred after his passing.
Robert Wilson wished to dedicate this production to Audrey Butvay Gruss, whose passion for the Arts inspires us all.
Performed in Lithuanian with English surtitles.
For more information and tickets, visit the theater’s web site.